Gourd and
Bird, Chinese
ink and colour on rice paper.
Born in Xinhui,
Guangdong in 1947, Mok came from a poor peasant
family. As a child, he came to Hong Kong and
by March 1964, he began formal training with the
well-known painter Ting Yin-yung. Under Ting’s
tutelage, Mok learned the skills of Chinese
paintings and started his collection of paintings of
Chinese masters.
Believing that an artist should be exposed to all
forms of art, Mok travels extensively to various
parts of the world. He has visited Mount Huang
and Mount Lu several times to be inspired.
During his travels, Mok meets renowned Western and
Chinese artists from whom he obtains encouragement
and advice.
Since the 70’s, Mok has written a number of art
commentaries which have been published in different
newspaper and art critics. He has also edited
many painting albums for the late masters such as
Zhao Shaoan, Song Wenzhi, Zhu Qizhan, Lu Yanshao and
etc.
Setting up his studio, Mok began teaching Chinese
painting in 1979. Since then he has been
running Painting and Art Appreciation courses at his
own studio, the Art Club of the University of Hong
Kong, the Hong Kong Art Centre and the Hong Kong
Museum of Art. In January 1996, he was invited
to demonstrate Chinese paintings in the Hong Kong
Museum of Art.
Mok staged his first exhibition in 1982. Since
then, his personal exhibitions have been held in
Singapore, Australia, Malaysia, West Germany, China
and Hong Kong respectively. His paintings are
well-liked and are always in the collections of
museums and auctioneers. Sixteen of Mok’s
paintings of Birds and Flowers are now kept in the
National Gallery of Victoria. Another piece by
Mok, a long painting of Lotus, is placed in the
Museum of Chinese Australian History. The
Education Services of the National Gallery of
Victoria expressed its appreciation and gratitude
for his exploration into Chinese art in 1987.
In November 1986, “The Paintings of Mok E-den”
(Volume I) was published. Now his works have
been compiled into 7 volumes, evolving his skills
and insights of Chinese paintings. In 1998,
his paintings have been selected into the
Encyclopedia of the World Famous Chinese Artists and
the First International Ink Painting Biennial
Exhibition Of Shenzhen. In October 1999, his
“Blazing Flowers” was selected into the 9th National
Art Exhibition of China and is in the collection of
Chinese Museum of Art.
In April 2002, Mok organised art appreciation
workshop and seminar in commemoration of the 100th
anniversary of Ting Yin-yung’s birth. He also
proposed the building of a Ting Yin-yung Memorial
Hall in Ting’s hometown, Maoming, and initiated
fund-raising and donation activities.
In 2003, Mok’s thirteen paintings were selected by
the Committee on the Promotion of Civic Education as
illustrations in the 2003 Calendar for Hong
Kong. In August 2003, Mok lent forty paintings
by Ting for the successful staging of an exhibition
on “Aesthetic Images of Ting Yin-yung’s Paintings”
by the National Museum of History in Taiwan.
In December the same year, Mok became President of
the “Ting Yin-yung Art Club”.
In April 2004, the Ting Yin-yung Memorial Hall was
completed and Mok was invited to officiate at the
inauguration ceremony. In August, his huge
work on Lotus was included in the 10th National
Exhibition of Arts in China. In June 2005, the
Bank of Communications (Hong Kong Branch) acquired a
good number of Mok’s works for its permanent
collection.
Collections
Bank of Communications, Hong Kong,
Permanent Collection
National Gallery of Victoria,
Sixteen Works in the Permanent Collection
Museum of Chinese Australian History
National Chinese Museum of Art,
Beijing