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Ji Wye To, as Professor of Fine Arts in the Hong
Kong Buddhist College, is a phenomenon in this
world. However as being a human being,
relating to life, to feeling, to joy and
sadness, thinking and meditating then trying to
put it into material form, be it words or
painting.
He lives in the 21st century, a generation of
Eastern and Western thought, where influences
reflected both ways, the development of Chinese
culture has now been formed
with the
acceptance and reflection of these two thoughts.
Zen at the basis of ancient traditional Chinese
art, is now incorporated with abstractness and
cubism. For example: reality with
vagueness and juxtaposition with stillness
represented in Ji Wye’s new series ‘Cloud is
Mountain’. Having travelled the full cycle
from traditional Chinese art, he now
incorporates this realism or solid objects in
his world of space. They float, moving from one
position to the next, as clouds float over the
world, over of humanity and mountains, dividing
and joining opening and closing like the
thoughts in his mind.
These clouds represent spiritual emptiness,
full, pure and simplistic, in contrast, to the
mountains which are fixed to earth, steady and
strong. However the mountain can be moved,
not a floating cloud – as fragile as it is,
blowing away to collect in another atmosphere
cannot be altered by man.
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