CONTEMPORARY PAINTING


NERINA NASCELLE

 
  Yubi-sa - Grace, Mixed Media and Obi on Canvas
142 cm2
 
  Hatsu Butsu - Eight Buddhas, 75 x 150cm, 2009 1
EXHBITIONS

2009                Collector’s Exhibition

Contemporary Art Society

The Steps Gallery  Carlton, VIC, Australia


2008                Untitled Group Exhibition

Kazari Collector Prahran, Melbourne

 

2006                The Nature of Things

Fitzroy Gallery Fitzroy, Melbourne

 

2005                Nine X Five

Art Streams Gallery Warrandyte, Victoria

 

2005                Shrine

Fitzroy Gallery Fitzroy

 

2004                Movement Within the People

Eltham Art Space Eltham, Victoria

 

2003                Visualising Pure Realms

                        Duo exhibition with Balinese artist               

Eltham Art Space Eltham, Victoria

 

2002                Meditative Paintings

Nerina Lascelles and Emma Samin   

Lovegrove’s Winery Cottlesbridge, Victoria

 

2001                Mama Serpentine

                        A cry in the Wilderness

                        Dudley House Bendigo, Victoria

 

2000                Meditative Thoughts

Eltham Art Space Eltham, Victoria

 

1999                Three

                        Eltham Art Space Eltham, Victoria

 

1998                Review

                        Eltham Art Space Eltham, Victoria

 

1998                Journey & Myth

Mair Street Gallery Ballarat, Victoria

 

1996                Emergence

Warrandyte Art Space Warrandyte, Victoria

 

1993                Post Graduate Exhibition

Ballarat Fine Art Gallery Ballarat, Victoria

 

BIOGRAPHY Nerina is an accomplished Melbourne Artist who has been exhibiting in Australia and internationally for over 20 years. Her paintings are part of private collections in Australia, Singapore, UK, America and Japan. She is currently an artist in residence at Dunmoochin in Cottlesbridge.

"In her philosophy, Nerina Lascelles starts with the proposition that the role of the artist of to depict the sacred. It is the sacred things in the art of other traditions and cultures that primarily inspires Lascelles' art practice.Nerina’s most recent influences have been drawn from travel to Japan. These paintings consist of a pastiche of origami paper and fragments of kimonos along with gold and silver leaf, acrylic paint, bitumen and encaustic wax. All these materials have been combined to create works that reflect the antique objects that inspire them while standing on their own as objects of beauty”

Peter Dougherty - Arts Editor, Leader Newspapers, Melbourne.
ARTIST'S STATEMENT

The title of this exhibition ‘Sonzai’ (Japanese for ‘Existence’)

In the Western thought, existence is the world we are aware of through our senses.  Materialism holds that the only thing that exists is matter that all things are composed of material, and all phenomena are the result of material interactions. In other words, matter is the only substance.

In Eastern philosophy, on the other hand, "impermanence" describes existence. In reality there is no thing that ultimately ceases to exist; only the appearance of a thing ceases as it changes from one form to another. The philosophical meaning of the Sanskrit word 'Satya' is "unchangeable", “that which is beyond distinctions of time, space, and person" and "that which pervades the universe in all its constancy". Existence is the vast space or stillness from which all forms arise and in time dissolve. 

This exhibition of new works depicts a variety of landscapes in which the elements of both form or matter and space or stillness coexist.  The landscapes in this exhibition are not completely identified with physical form, but not entirely of spirit either. They represent a middle ground between form and the formless. Figures and objects in the paintings are easily defined by the mind but perhaps not as easily comprehended, yet equally as important are the areas of space, which suggest a magical, mythical dimension beyond form.  Some paintings suggest the spaciousness of the night sky while others describe distant, dreamlike landscapes which also represent the illusive nature of the invisible… the realm beyond space, time and form where true divinity dwells.

Where all is one.